Page loading...
Welcome
Manifesto
History and Installation
Staff
Facilities
Maps and Galleries
T-MAO
Tempo Presente
Contemporary Expressions
Evolving Soundscape
Visit Mao
Tickets
Opening hours
Getting here
Reservations and guided tours
Accessibility
Exclusive visits
Events & Exhibitions
Upcoming
Currently
Archive
Travelling MAO
Collections
Discover the collections
Online catalogue
Research and projects
MAO Media Library
Art library
Photo Archive
Loan requests
Education
Prensentation
Schools
Summer camp
Families
Adults
Education and university
Inclusion and accessibility projects
Special projects
MiniMAO
Support us
Select language: language selected
ENG
ENG
selected
ITA
Welcome
Manifesto
History and Installation
Staff
Facilities
Maps and Galleries
T-MAO
Tempo Presente
Contemporary Expressions
Evolving Soundscape
Visit Mao
Tickets
Opening hours
Getting here
Reservations and guided tours
Accessibility
Exclusive visits
Events & Exhibitions
Upcoming
Currently
Archive
Travelling MAO
Collections
Discover the collections
Online catalogue
Research and projects
MAO Media Library
Art library
Photo Archive
Loan requests
Education
Prensentation
Schools
Summer camp
Families
Adults
Education and university
Inclusion and accessibility projects
Special projects
MiniMAO
Support us
Fondazione Torino Musei
Our museums
Fondazione Torino Musei Friends
Art library
Photo Archive
Loan requests
MioMAO
Press Area
News
Contacts
Home
/
Collections
/
Online catalogue
/
BOVINE
BOVINE
China
Year
1st century BCE - 1st century CE
Materials
Red earthenware, ochre-green glaze, traces of white slip (?)
Inventory
Cc/47.D
Dimensions
11 x 20,8 cm
Definition
Funerary statuette
Collection
China
Additional Infos
Provenance: Henan or Shaanxi
Description
The animal appears hunched under the weight of its large belly, like a pregnant cow struggling to get up. The front legs are thrown forward, the hind legs bent over the hocks, the head and neck pushed strongly upwards. The long horns and the arched tail on the left also contribute to the successful feeling of movement, whose uniqueness ultimately lies in the continuous arc that the body creates from the tip of the muzzle to the rear. However, the plasticity is not matched - from a technical point of view - by the preparation of the clay and the roughing of the piece: the model appears multifaceted and unfinished, particularly on the muzzle where the physical features, apart from the left eye, are not outlined. The opaque glaze is also laid out irregularly.
Close modal video
Close search
Search
Start search
All Contents
Pages
Events and Exhibitions
Artist
Artworks
News